Hidden meanings in the paintings Read the story here This is an all-too-human story of lust and loneliness. Joseph was young, handsome and vulnerable. Joseph was the elder son of Jacob and Rachel. She suggested that he have sexual intercourse with him, but he rebuffed her. One day when they were alone she took hold of his clothes and attempted to undress him.
Painting Declared Obscene in 1917 Sells for $157M
Nude, Green Leaves and Bust - Wikipedia
The discernible "body parts" of the figure are composed of nested, conical and cylindrical abstract elements, assembled together in such a way as to suggest rhythm and convey the movement of the figure merging into itself. Dark outlines limit the contours of the body while serving as motion lines that emphasize the dynamics of the moving figure, while the accented arcs of the dotted lines seem to suggest a thrusting pelvic motion. The movement seems to be rotated counterclockwise from the upper left to the lower right corner, where the gradient of the apparently frozen sequence corresponding to the bottom right to top left dark, respectively, becomes more transparent , the fading of which is apparently intended to simulate the "older" section. At the edges of the picture, the steps are indicated in darker colors. The center of the image is an amalgam of light and dark, that becomes more piqued approaching the edges. The overall warm, monochrome bright palette ranges from yellow ochre to dark, almost black tones. The colors are translucent.
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Joseph & Potiphar’s Wife
Its Position in the Hierarchy of Genres Landscape was an established genre in Chinese art by the fourth century CE, but in Western art, landscape painting doesn't really begin until after the era of Renaissance art in the sixteenth century. Of course many painters, from Roman times onwards, had included scenic views in their paintings, but these were ancilliary to the main theme of the painting. The main problem with landscape was that it ranked very low in the academic hierarchy of the genres types of painting.